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11
Rembrandt
Self Portrait with Beret and Turned-Up Collar (left)
1659?
oil on canvas, 52.7x42.7cm
National Gallery, Scotland



    22K image | 79K image

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With the placement of the subject so close to the edge of the painting this self portrait gives the viewer a sense of confrontation with the painter. In comparison to other self portraits, there is an avoidance of strong shadows and the uniform lighting shows every unevenness in the face. This painting was done in less haste than the one in Washington (#10) with the highlights in the hair applied with care. Whatever the differences in the brushwork of the two paintings, they probably stem from the same period, indicate the same aging process, and correspond in terms of clothing.




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Oil Painting Reproductions at 1st Art Gallery


Self Portrait as a Young Man Self Portrait as a Young Man 1629 Self Portrait with Gorget Self Portrait with Beret and Gold Chain Self Portrait Wearing a Hat Self Portrait 1640 Self Portrait 1642 Self Portrait 1652 Self Portrait 1658 Self Portrait with Beret and Turned-Up Collar Self portrait with Beret and Turned-Up Collar (left) Self Portrait with Two Circles Self Portrait at the Age of 63 Self Portrait 1669